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After melting inside its walls, the throbbing bassline of ‘ The National Anthem’ bursts in right on cue. Then, after entering a room filled with TVs flashing apocalyptic imagery, an arrow on the floor promises ‘DRUM N BASS’ inside a golden column in the middle of the room.
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When instantly recognisable full portions of songs are used, they’re done so in all the right places: the thudding rush of ‘Kid A’ opener ‘Everything In Its Right Place’ accompanies my first foray down a neon-lit pathway with Radiohead artwork dashing up and down the walls at the speed of light. While travelling through the exhibition feels like crawling inside one of Donwood’s stunning pieces of art, through your headphones you get to interrogate the nuts and bolts of the music itself, deconstructing albums you’ve lived with for 20 years, but are suddenly hearing like never before. Suitably, the best bits of the exhibition are also when images distort themselves beyond recognition in a way only achievable through a screen.Įvery sound heard in the game also appears on ‘Kid A’ or ‘Amnesiac’, but its parts are scattered like shards and stretched apart into new shapes as the music shows itself in dismembered forms. The genius of ‘Kid A’ and ‘Amnesiac’ was in their warping of time and space, and their ability to remove you from the real world. When travelling through the surreal landscapes of the virtual exhibition, it proves a blessing that it ended up this way. KID A MNESIA was originally conceived as a physical installation, before obstacles including the pandemic got in its way, and it moved online. It was, and still is, viewed as a turning point not only for the band – who were, until that point, a largely formulaic if brilliant rock band – but for the direction of popular music at the start of the 2000s. It’s suitable, really, as ‘Kid A’, Radiohead’s fourth album that dropped at the turn of the millennium, was as far from traditional as they come, as they ditched the guitars for bleeping electronics and swirling soundscapes. READ MORE: Radiohead – ‘Kid Amnesiae’ review: a haunting secret history of two classic records.
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Created as part of a series of 20th anniversary celebrations for the band’s two game-changing albums from the early 2000s, ‘Kid A’ and ‘Amnesiac’, they say that the exhibition will resonate with fans of the albums, and anyone “who understands this isn’t intended to be a traditional video game experience.”
You can watch a trailer for the KID A MNESIA EXHIBITION below.“This is not a game,” Epic Games are at pains to point out at the start of a statement accompanying their new KID A MNESIA exhibition with Radiohead. It is filled with unearthed material originally cut from the Kid A/Amnesiac sessions. KID A MNESIA also sees the release of a newly compiled third disc titled Kid Amnesiae. The unique exhibition is sourced directly from original artwork and multitrack recordings of the two albums. The intention of the project is to “reimagine KID A MNESIA EXHIBITION in a non-corporeal form that would enhance and emphasize the inseparable nature of these sounds and visions.”
Thom, Stanley, and Nigel have teamed up with plenty of talented people to bring the project alive.
It has been released to coincide with the 21-year anniversary of Radiohead’s Kid A and Amnesiac albums. KID A MNESIA EXHIBITION has been created from original artwork by Thom Yorke and Stanley Donwood, featuring sound design by Nigel Godrich. However, due to a confluence of interests and Covid-19, it will now be released as an upside-down digital/analogue universe. The project was originally conceived as a physical installation to debut in London, with the hopes of taking it to New York, Paris, and elsewhere.
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On November 18, Radiohead and Epic Games will be releasing KID A MNESIA EXHIBITION as a free download for PS5, PC, and Mac.
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